DIRECTOR Dalija Dozet

SCREENPLAY Lana Barić
DOP Luka Matić
EDITOR Sara Gregorić
ART DIRECTOR Mario Mišković
COSTUMES Ida Križ Posavec
MAKE-UP Ivana Pralija
SOUND Hrvoje Radnić

CAST Lana Barić, Franjo Dijak

PRODUCER Hrvoje Osvadić
PRODUCTION, SALES Petnaesta umjetnost

Ana is getting ready to attend her best friend Maja’s wedding. To her surprise, Maja’s husband-to-be appears unannounced to take her there. As they travel to the venue, Dejan uses the time to tackle a problem that has never before been discussed – how and why they allowed themselves to cheat on Maja a few years ago.

Dalija Dozet (1987, Osijek) completed a one-year program of film directing at FAMU (Prague, 2007), and graduated BA Film and TV directing at the Academy of Dramatic Arts in Zagreb (2010). She is currently completing MA Film Directing at the Academy of Dramatic Arts in Zagreb. Films: Anthill (2010), Tuesday (2011), Elephant (2012), Intersection (2012).

DIRECTOR Daniel Kušan

SCREENPLAY Daniel Kušan
DOP Raul Brzić
EDITOR Daniel Kušan
ART DIRECTOR Bojan Drezgić
COSTUMES Emina Kušan
MAKE-UP Laura Buljan
MUSIC Dinko Appelt
SOUND Dubravka Premar

CAST Ivana Roščić, Stjepan Perić

PRODUCER Ankica Jurić Tilić
PRODUCTION, SALES Kinorama, Gonella Pictures (FR)

She is the unemployed mother of a two-year-old child, trying to find a job so they can lead a normal life. She makes a series of phone calls to her husband at work, seeking reassurance. He works at a car showroom, but will soon lose his job. The only thing left for both of them is to survive until the end of the day and take refuge in their home, togetherness and family.

Daniel Kušan graduated in film and TV directing from the Academy of Dramatic Art in Zagreb. He has written the scripts for most of the films he has directed. He has also directed and written plays for the theatre and published several short stories. Films: Koko and the Ghosts (2011).

DIRECTOR Dijana Mlađenović

SCREENPLAY Dijana Mlađenović
DOP Dragan Ruljančić
EDITOR Nina Velnić
ART DIRECTOR Tanja Lacko, Ana Buljan
MUSIC Jure Buljević
SOUND Borna Buljević

CAST Alma Prica, Franjo Kuhar, Biljana Pusić, Nikša Butijer, Zvonimir Jurić, Slaven Španović

PRODUCER Dijana Mlađenović
PRODUCTION, SALES Kinematograf

The year is 1992. War is raging in Croatia. The new government forcefully evicts ‘unfit’ occupants from their apartments. During an unexpected eviction, Ivan and Vesna find themselves on opposite sides. This is a film about civil courage and passive majority.

Dijana Mlađenović earned degrees at the Rijeka University Faculty of Law and the Zagreb Academy of Dramatic Art (Production Department). From 1999 until 2008 she was managing a cinema company in Pula. She worked as a freelancer in the production of several TV, film and festival projects. She is the founder and general manager of the Kinematograf production company. Thresholds is her directing debut.

DIRECTOR Milan Rukavina, Miroslav Kosanović

SCREENPLAY Milan Rukavina
DOP Dragan Šiša
EDITOR Zoran Garača
COSTUMES Ivan Friščić
MAKE-UP Nikolina Jaklinović
SOUND Ivan Zelić
SPECIAL EFFECTS Dražen Zeljković

CAST Ksenija Prohaska, Vicko Bilandžić, Olga Pakalović, Vid Rebernak

PRODUCER Miroslav Kosanović
PRODUCTION Leptir produkcija

Željko lost his sight in an accident when he was very young. His life is composed, his job pays well, he has no family. Mirjana is a single parent who, after her husbands’ recent death, has to find a way to raise her son David all by herself. The neighbour Nina, secretly in love with Željko, finds out that he is given a guide dog named Alke. Željko takes him for a walk the next day.

Milan Rukavina (1984) holds a Master Degree from the Faculty of Political Sciences in Zagreb. Alke is his directorial debut.

Miroslav Kosanović (1985) studied at the Faculty of Journalism in Zagreb. Co-produced a short film Komba (2011). Alke is his directorial debut.

DIRECTOR Jasna Nanut

SCREENPLAY Jasna Nanut
DOP Tomislav Sutlar
EDITOR Jan Klemsche
ART DIRECTOR Denis Rubinić
COSTUMES Aleksandra Koluder
MAKE-UP Zdenka Mihelja
SOUND Tihomir Vrbanec

CAST Urša Raukar, Dado Ćosić

PRODUCER Tibor Keser
PRODUCTION, SALES Academy of Dramatic Art (ADU)

It is Friday night in state company. Mate stayed after hours to finish up the work. There is noone left in the building besides Jadranka, the cleaning woman. Mate doesn’t mind that she cleans up his office while he works. Looking at her vacuuming he remembers his flat also needs cleaning up. Will Jadranka accept his seemingly harmless offer for an extra job?

Jasna Nanut (1975, Zagreb) after 15 years in TV business, decided to dedicate herself to filmmaking. Currently working on her MA thesis in the feature film directing at the Academy of Dramatic Art in Zagreb. Films: Together (2013).

DIRECTOR Igor Šeregi

SCREENPLAY Igor Šeregi
DOP Mario Sablić
EDITOR Tomislav Stojanović
ART DIRECTOR Bojan Drezgić
COSTUMES Zorana Meić
MAKE-UP Tatjana Tomšić
SOUND Tihomir Vrbanec
MUSIC Vinko Borčić
SPECIAL EFFECTS Frano Homen

CAST Rene Bitorajac, Radovan Vujović, Max Whatley

PRODUCER Ivan Kelava
PRODUCTION, SALES Grupa sedam
CO-PRODUCTION F&ME London (UK)

1969, ex-Yugoslavia. Low profile agents Stipe and Peđa get a special assignment: to deliver the present from American president Richard Nixon to Yugoslavian president Tito at his summer residence on Brijuni Islands. Seems like task with zero chance to fail. But…

Igor Šeregi (1983, Zagreb) is an MA student of Film Directing at the Academy of Dramatic Art in Zagreb. He co-directed and co-scripted intrenational film Hives, and is prepairing his first debut feature ZG80. Films: Story About Mare (2013), Animal Empire (2012), Hives (2012).

DIRECTOR Tanja Golić

SCREENPLAY Tanja Golić
DOP Hrvoje Franjić
EDITOR Vladimir Gojun
ART DIRECTOR Lara Badurina
MUSIC Marko Kušpilić
SOUND Vladimir Božić

CAST Lana Barić, Krešimir Mikić

PRODUCER Tanja Golić
PRODUCTION, SALES Hulahop

The protagonists accidentally meet after many years and in one afternoon recall the memories of a time spent together long ago. The film is an homage to industrial architecture and a poignant tribute to the architecture of human relations.

Tanja Golić (1973, Rijeka) graduated from the Faculty of Philosophy in Rijeka in 1998, Department of Visual Arts, and in 2007 she graduated from the Academy of Dramatic Arts in Zagreb, Film and TV direction. She has been exhibiting graphics, installations and films. Films: It’s Not That I Know, That’s Just The Way It Is (2006), Wait, Wait. (2006).

DIRECTOR Una Gunjak

SCREENPLAY Una Gunjak
DOP Matthias Pilz
EDITOR Anja Siemens
ART DIRECTOR Ivana Škrabalo
COSTUMES Martina Franić
MAKE-UP Svjetlana Gutić
SOUND Una Gunjak
SPECIAL EFFECTS Drago Poldrugač

CAST Iman Alibalić, Esma Alić, Mirela Lambić, Mario Knezović

PRODUCER Jelena Goldbach
PRODUCTION, SALES Zak Film (DE)
CO-PRODUCER Siniša Juričić
CO-PRODUCTION Nukleus film (HR)

This is a story about a six-year-old girl called Selma, set in wartime Sarajevo. Her dad, who is away on the front, sends her a chicken as a present for her birthday. Selma is convinced that the bird is meant to be her new pet. When she realises that her mother plans to prepare it for dinner, Selma decides to free the chicken.

Una Gunjak (Sarajevo, Bosnia and Herzegovina) is a film editor and director. She obtained her BA in film at Universita’ degli Studi di Torino in 2008. In 2010 she obtained her MA in film editing at National Film and Television School in London, where she is currently living and working. The Chicken is her directorial debut.

DIRECTOR Marta Prus

SCREENPLAY Lana Barić
DOP Maciej Twardowski
EDITOR Wojciech Janas
ART DIRECTOR Mateusz Bzówka
COSTUMES Agata Ludwiczak
MAKE-UP Klaudia Wypiór
SOUND Małgorzata Napiontek, Ewa Bogusz

CAST Kinga Małaniuk, Tomasz Kot, Angelika Korab, Kamila Łatkowska

PRODUCERS Mariusz Grzegorzek, Marcin Malatyński, Ivana Šimić Sedić
PRODUCTION, SALES The Polish National Film, Television and Theatre School (PL)
CO-PRODUCER Ankica Jurić Tilić
CO-PRODUCTION Kinorama (HR)

Two older girls start to pick on a twelve-year-old girl as she leaves a corner grocery shop. They follow her around the neighbourhood’s apartment blocks, bothering her. Finally, the father of the younger girl appears. He wants to teach her tormentors a lesson but he crosses a line.

Marta Prus (1987, Warsaw) has graduated documentary directing from the Andrzej Wajda’s Master School and she is currently studying directing at the Polish National Film School in Łódź. She has made several short films which have won about a dozen film awards. Filmovi: Vakha and Magomed (2010). Vakha and Magomed (2010).